I AM LEGEND | WARNER BROTHERS PICTURES
POST APOCALYPTIC NEW YORK CITY
I AM LEGEND was a lesson in large-scale world-building — designing a post-apocalyptic New York through keyframes and graphics that felt both authentic and cinematic. I built a cohesive visual language by coordinating art, VFX, construction, and legal teams to maintain continuity across an imagined city.
MIDTOWN MANHATTAN FORD DEALERSHIP
Creating a believable façade for Ford meant balancing realism with the available location — a Manhattan art gallery. Working with set designers, painters, and construction, I adapted Ford’s visual identity to the building’s surface and mapped out mullions and architectural details that allowed the stunt team to launch the hero Mustang through a window for its midtown joyride.
FLAT IRON DISTRICT – PREVIS / PRODUCTION PIPELINE
I also created keyframes for the Flatiron District — detailed illustrations that guided set dressing, construction, and VFX. These visuals kept every department aligned to a shared reference, much like a modern creative production pipeline.
INTERIOR SETS – EMOTIONAL STORYTELLING THROUGH SPACE
I created keyframes and graphics for the Tower Dream Sequence, Christmas Apartment, and Neville’s House and Lab — guiding construction and set teams in shaping space around narrative tone.
The Christmas Apartment became a study in set dressing through newspaper clippings, notices, signage, and props. Early keyframes for an unfilmed Time Warner Center sequence remain personal favorites, marking the start of my visual approach to the film.
Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
NEVILLE'S KITCHEN & LAB
THE TIME WARNER CENTER
LEGACY WORK
The infected maquette reinterpretation revisits my original design through modern tools — a study in how legacy concepts can evolve without losing their human touch. The design, composition, expression lighting, and anatomy stem from my original maquette, reimagined with AI-assisted techniques.
